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Mark Dakin

Mark Dakin is best known for his role as TAIT UK Principal – Placemaking and works globally out of TAIT’s King’s Cross office in London. He is a dyslexic art school dropout with a commitment to building inclusive, equitable, and brave places of work and an aptitude for the detailed work of culture change.

Building on over 45 years of professional theatre experience as a Technical Director, Production Director and Project Manager for UK’s performing arts organisations, including the Royal Opera House, the National Theatre, English National Opera, Theatre Royal, the Young Vic, Cameron Mackintosh Ltd, and the Really Useful Group.

He is also a Fellow and Trustee of the Association of British Theatre Technicians, an Honorary Fellow of the Royal Central School of Speech & Drama, a Co-Director of Stage Sight, an Associate at Tangle, a member of the Theatre Artists Fund Advisory Committee, the Industry Ambassador for the Mulberry Production Art Academy and is currently also a Trustee of The Genisis Theatre Design Program and The Bush Theatre.

Martyn Hayes

Martyn Hayes began his career working backstage in various West End theatres, including the Duke of York’s, the Vaudeville, and the Aldwych. Early in his career, he worked as a Staff Stage Manager for RADA. He production managed numerous West End and touring productions, including Camelot, Café Puccini, The Boyfriend, Rowan Atkinson The New Revue, Holiday, Guys and Dolls, Kiss Me Kate, Les Misérables and The Phantom of the Opera.

Currently, he is an independent producer and has originated, developed, and co-produced the UK tour and West End production of the play Dear Lupin, starring James Fox and Jack Fox. He also originated, developed, and co-produced Into the Night, a play based on the Penlee lifeboat rescue, the production winning The Offie Award for Best Online Production of 2022.

Throughout his professional journey, he has worked internationally, including in the United Kingdom, the United States, Canada, Japan, and a wide range of countries across Europe and South America.

Bex Snell

Bex Snell graduated from RADA, having specialised in Stage Management. She is currently the Interim Deputy Programme Leader for Production Arts and Stage Management Lecturer at Guildhall School of Music and Drama.

Theatre credits include: King Lear (The Shed, NYC and Wyndham’s Theatre), Giant (Britten Studio, Snape Maltings), Gone Too Far! (Theatre Royal Stratford East), Much Ado About Nothing (Duke of York’s Theatre), Dolly Parton’s Smoky Mountain Christmas Carol (Queen Elizabeth Hall, Southbank Centre), Footloose the Musical (Dubai Opera House), The Trials (Donmar Warehouse), The Mousetrap (St Martin’s Theatre), Mrs Dalloway (Arcola Theatre), The Producers (Yvonne Arnaud Theatre), Twelfth Night (Shakespeare’s Globe), The Taming of the Shrew (Shakespeare’s Globe), The Merchant of Venice (Shakespeare’s Globe), Hamlet (Jerwood Vanbrugh Theatre), Albert Herring (Buxton Opera House), Lucio Silla (Buxton Opera House), Deny Deny Deny (Park Theatre), Le Grande Macabre (Barbican Concert Hall) and The Fairy Queen (Barbican Concert Hall).

Where to find us

Gielgud Theatre

Royal Academy of Dramatic Art
Malet Street
London WC1E 6ED
+44 (0)20 7908 4800

Getting here

By tube
Goodge Street Station: Northern Line 2 minute walk
Euston Square: Hammersmith and City, Metropolitan, Circle Lines
Tottenham Court Road: Central and Northern Lines
Russell Square: Piccadilly Line

By train
You can easily reach us by public transport links from London's major railway stations. The most accessible include Euston, King's Cross / St. Pancras and Waterloo