Full screen

Special skills

Accents: Transatlantic, London, standard American, New York, Scottish, South African

Languages (other than English): French (good conversational), Croatian (Good Conversational)

Singing Voice: Mezzo Soprano

Dance: Classical Ballet

Musical Instruments: Piano (intermediate)

Other skills: Knitting, Unarmed Stage Combat

Driving Licence: US Driver's Licence

Previous experience

Projects whilst at RADA
Ensemble, Margot Monroe’s Nibelungenlied, dir. David Glass

Manifesto projects: Ghislaine Maxwell / Hedda Gabler, Ghislaine / Gabler by Bound By Theatre; Clauvdia Chauchat, Strange Summit (inspired by The Magic Mountain by Thomas Mann), devised and performed by No Comment Collective

Ensemble, Goodbye, dirs. Kristine Landon-Smith and Neela Doležalová

Director/Ensemble, The Suppliants, dirs. Aliki Stenou, Lane Paul Stewart, Kristin Winters

Ensemble, ‘Tis Pity She’s a Whore, dir. Peta Lily

Matt of the Mint, The Threepenny Opera, dir. Simona Gonella and Ian Morgan

Hedda, Hedda Gabler, dir. Robert Fried

Count S. Fuqsalot, Drag Race Cabaret, dir. Jüri Nael

Julie, Smoke, Simon Usher (Bound By Theatre)

Penthea, The Broken Heart, CC Kellogg (Invulnerable Nothings + Theatre Mitu)

Natasha, Pussy Grabber Plays, CC Kellogg, (The Playground Theatre)

Woman, GRIP, Harriet Taylor (Nothing to Perform)

Ariel, The Tempest, Simon Usher (The Coronet Theatre)

Previous Training
BFA in Acting from NYU: Tisch School of the Arts

École Jacques Lecoq