Elisabeth Gunawan

Special skills
Accents: RP, Thai, Filipino, Singaporean
Languages (other than English): Bahasa Indonesia (Native/Fluent), Malay (Fluent)
Singing Voice: Mezzo Soprano
Dance: Contemporary (Intermediate), Blues (Intermediate)
Musical Instruments: Piano (Intermediate, ABRSM Grade 8)
Sports: Yoga (UK Yoga Alliance Certified Instructor)
Other skills: Slam Poetry, Stage combat
Previous experience
Projects at RADA
Yi Pu, Margot Monroe’s Nibelungenlied, dir. David Glass
Manifesto project: Vaccine (solo), Unforgettable Girl, dirs. Simon Gleave and Briony O’Callaghan
Ensemble, Goodbye, dirs. Kristine Landon-Smith and Neela Doležalová
Ensemble, The Suppliants, dirs. Aliki Stenou, Lane Paul Stewart, Kristin Winters
Vasquez,‘Tis Pity She’s a Whore, dir. Peta Lily
Mrs. Peachum / Jenny, The Threepenny Opera, dirs. Ian Morgan and Simona Gonella
Thea Elvsted, Hedda Gabler, dir. Robert Fried
Vaccine, Drag Race Cabaret, dir. Jüri Nael
Theatre (International):
Ensemble/Lulu Lemən, The Cabaret, dir. Giovanni Ortega (Method Productions)
Ensemble/Villjar, AB Project, dir. David Glass (David Glass Ensemble)
Ensemble/East, The Body Trilogy, dir. Giovanni Ortega (Method Productions)
Phyllis (Lead), Leaves, dir. Kamil Haque (Passerby Projects)
Theatre (New York)
Solo, Infinite Variety, dir. Kristin McCarthy Parker (HERE Arts Center)
Ensemble/Brutus, Rape of Lucrece, dir. Kristin Horton (NYU Gallatin)
Helena, All’s Well That Ends Well, dir. Kristin McCarthy Parker (Mad and Merry)
Pisanio, Cymbeline, dir. Madeline Sayet (Mad and Merry)
Film
Jane (Lead), Pierced, dir. Tejas Ewing (Ewing Communications)
Lina (Lead), Unconscious, dir. Christina Liew (Lean In Singapore)